I recently finished watching the BET+ series The Porter and came away fairly disappointed. The show tells the story of a group of porters working the railroad lines between Canada and the United States in the 1920s.
The porters face various obstacles in their quest to live their lives. These obstacles include racism and general unbridled capitalistic abuses. Why was I disappointed? Let me tell you.
Lost Story
The central story of the porter revolves around their desire to join the railroad union and improve their working conditions. The show itself highlights the problem in almost the opening scene when a young porter falls to his death off the top of a train car doing a job requiring more people than were allocated.
In addition, we see racism between the other employees of the railroad and the black porters. These are the two main stories, and they are both compelling, interesting, and historically accurate. There are also hints of the main character’s service in combat during World War I.
Sadly, these stories take a backseat for most of the show. Instead, we focus mainly on a porter working a gambling ring with a powerful black mobster in Chicago. A young woman trying to advance her career as an entertainer and examining her interracial relationship with the dissolute son of the railroad owner. And a nurse working in the black community to bring healthcare to the minority working class who are denied such at the white hospitals.
All three of these stories are moderately interesting at best and take a huge amount of time away from the more compelling stories.
I want to know about the union. I want to see the porters performing their jobs. There are a number of scenes with this focus but they are largely relegated to the back carriage of the show. This was the big problem for me. The compelling story, the reason for the show, the title of the show even, is just not developed well enough.
Acting in the Porter
The acting is fairly good with some standout performances from Mouna Traoré as Nurse Marlene Massey and Ronnie Rowe Jr. as Zeke Garrett the union agitator. The rest of the cast is fairly good to mediocre.
Sets and Cinematography
The sets are largely great with the interior carriage scenes meticulous and beautiful. The homes the porters live in are believable and well-done. The scenes themselves are largely framed nicely with a variety of angles.
The show does heavily rely on CGI for the exterior train shots and it’s not so great.
Music
The music is largely good and maintains a background presence rather than dominating the scenes although it does get obtrusive now and again.
Conclusion
I think the show had a great deal of potential and thus my disappointed. If it didn’t have such a high bar then its ultimate disappointment wouldn’t bother me as much. It could have great but they really just lost track of the compelling stories and focused on things that held little interest for me. Others may think differently.
Tom Liberman