Perry Mason is an Excellent Show

Perry Mason

I just finished the first season of Perry Mason on HBO and largely loved it. I think it’s pretty easy to get into a rut writing negative reviews. Such articles definitely get more interest than the ones that wax poetic about a show.

Therefore, it is with great joy I write this review about the modern interpretation of the old classic, Perry Mason. The Perry Mason novels and television shows date way back to his debut in the 1933 pulp fiction novel by Erle Stanley Gardner.

After a famous radio series, a successful television series run, and lots of movies we now arrive at an HBO series. Let’s get into it!

What is Perry Mason?

The first season of the show covers a period of time before Perry Mason became a lawyer and his transition into that role. He is a private investigator working for E. B. Jonathon played by John Lithgow with his usual brilliance.

Jonathon takes up the case of a murdered baby and uses Perry Mason, played energetically by Matthew Rhys, as the lead detective to determine what actually happened.

Why is it Good?

Determining why a show is good or bad is generally pretty easy but explaining why it is so can be more challenging. I’ve written before about what makes a show good or bad and Perry Mason hits all the good marks.

The Acting

The acting is generally superb with Lithgow, Chris Chalk as Paul Drake, Shea Wigham as Pete Strickland, and Tatiana Maslany as Sister Alice standing out. Not to say Rhys as Mason, Juliet Rylance as the iconic Della Street, and Andrew Howard as a disturbed and violent police officer are not exceptionally good as well. Everyone from the main players to the bit parts sells their role. I’m not going to mention all the excellent performances but if you look up the cast, you’ll not see a single actor who failed to convince me.

The Writing

The writing is equally good and allows the actors to really set their teeth into all of the roles. The district attorney, the judge, the accused criminal, all fantastic roles and all played superbly. There were a few moments where I thought Perry Mason himself was portrayed as a bit too hot-headed and irrational but I understand that was done to set up the ending when he transforms into the cool-headed and rational Perry Mason we all know from previous media.

The Sets

Incredible. From matchbooks to motor vehicles to radio microphones. I’m astonished at the craftsmanship of the set designers. The attention to detail. The clothes. Everything looks real to me. Maybe someone with a better eye than mine can find a few anachronistic things but I noticed nothing.

The Music

As is always the case, less is more with music. We don’t need the music to tell us a scene is dramatic, sad, happy, or anything else. We should know that from the scene itself. The music is there not to explain but to enhance. If I ever find the music overbearing then I know there’s a problem. Didn’t happen in Perry Mason.

The Love Stories

There are several love stories in Perry Mason but they don’t interfere with the main plot, they enhance it, they are not the focus. Often times the love interest can take over. In this case Perry’s affair with the airfield owner is gritty and real. It gives us insight into Perry himself. The affair of between Emily Dodson and George while integral to the story takes place off screen. Della and her girlfriend are there but not in your face and over-the-top Woke.

The Story

The story unfolds with each episode at a leisurely but satisfying pace. We learn more and more. Each individual episode tells its own story, introduces ideas, characters, themes. There is no rush to tell us things, nor are important facts hidden from us in order to create a twist ending. We learn, with Perry Mason, the horrible truth although in the end he cannot prove it.

The Ending

The ending isn’t completely satisfying. It doesn’t try to wrap up all the loose ends. One feels for poor, abused Sister Alice and for her replacement Emily; but it’s not all joy and happiness. The ending isn’t the end but it’s enough to leave me quite satisfied and yearning for more.

A nod to the first novel at the end was a nice touch.

Conclusion

Good crime drama done right. I eagerly await season 2.

Tom Liberman

Van der Valk too Clever by Far

Van der Valk

I watched the first episode of Series Two of Van der Valk last night and came away unimpressed. I didn’t really like the first season of Van der Valk all that much either but, I said to myself, why not give it a chance?

The show follows a team of detectives in Amsterdam led by Peter Van der Valk. They are an eclectic group to say the least. The show is actually a reboot from an earlier series which I have not seen so I can’t really make any comparisons. The new show is flashy, stylish, filled with dramatic music, tense scenes, and intense characters.

My Review of Van der Valk

My review of the episode can be summed up in a single line: too clever. That’s simplifying all my problems with the show but it does express my general frustration with crime dramas and mysteries that make the solution so convoluted I have no chance of figuring anything out. Of course, I actually figured out the actual killer from the beginning but the clues that led us there were beyond baffling.

Basically, our killer left notes on the corpses with cryptic clues as to the next victim. Then one member of the team eventually had some sort of epiphany of understanding that led to the next scene. The word ethics must mean Spinoza! The word fire must mean Prometheus. The word God must mean Inventor but then, also be an acronym. Each revelation made less sense than the previous.

It seemed to me someone came up with the clever idea of having the murderer use Spinoza as an inspiration but then just went about it in the laziest way possible. I get using a local philosopher as a plot point but the story had nothing to do with Spinoza and the three great disasters of Amsterdam except in the most convoluted way possible. I lost track of it and just kept shaking my head and sighing in bewilderment.

While the effort to be overly clever certainly made my experience watching the first episode of Van der Valk unpleasant, it was not my only issue. Spoilers coming.

The Fish Tank

The fish tank in which the young woman drowned was way too high for the scene to happen. The murderer could not push the victim into the tank. The elevated tank came up to the chest of the detectives. You can’t bend over that way, it needed to be at waist height.

The First Victim in the Windfarm

Our murderer is not a large man. How he managed to get his victim up on the cross in the middle of the wind farm is beyond my understand. I’m willing to give a little leeway here. Maybe he rented a truck with a crane or something.

The Publicist and the Car

It’s revealed the publicist, who drowned implausibly as described above, was murdered because she took a bribe in order to stop her campaign to help the local artists. The bribe being a fancy car. This seemed utterly improbably to me. Amsterdam is a city well-known for an excellent public transit system. I can see her taking a large sum of money, but a sports car that she needs to pay upkeep and taxes on? Made no sense to me.

The Husband

The first victim’s husband was impossibly bizarre. The story of his separation from his wife and his violent abuse didn’t tie into the story at all. It just seemed an excuse to have a dislikable character as a possible suspect. His transparent lies made it clear he couldn’t be the murderer.

The Date

I can’t even begin to tell you everything I found wrong in the date between the detective and the ink maker. First off, it’s a stretch just to imagine she agreed to go out with him. I found his bumbling stupidity beyond credibility and Van der Valk ridiculing the poor fellow incessantly as some sort attempt at comic relief came across as completely unrealistic.

The poor fellow, I can’t even remember his name, seems to be on the show simply so people can make fun of him.

The Final Scene

Wait, the other bombs were real? When did he plant them. How does he have explosive knowledge. His reasoning for the brutal murders makes almost no sense. His final dialog with our hero went on and on. And on. And on. And on.

While they were talking, you can clearly see the Ferris wheel revolving normally in the background although supposedly it is being evacuated.

The Acting

I think the actors do their best with the lines they’ve got. It’s a mess but at least they try.

Conclusion

Blah. Too clever. Trying too hard to be dramatic. The serial killer leaving cryptic clues is tired and boring writing at this point. A good crime drama doesn’t need to save the world. It can just be a good crime drama. Van der Valk isn’t that.

Tom Liberman